By Adobe Creative Team
Having written education fabric myself, i understand how tricky it truly is to put in writing for each contingency, contemplating every thing a amateur could do unsuitable. The authors of this ebook have performed an excellent activity at proposing directions truly and entirely, in order that even an absolute beginner at After results like myself can stick to each lesson. a variety of checkpoints let you confirm that you're on course. the teachings are very transparent and straightforward to stick to, and that i delight in the continuity in offering a whole venture during the e-book, in order that i believe i'm fairly reaching whatever. After quite a few classes, i believe that i'm greedy what After results is all about.
In normal, those sequence of books are an effective way to get hands-on adventure with hugely technical items, and that i suggest them enthusiastically.
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Additional resources for Adobe After Effects 5.0
Book Page 36 Monday, October 8, 2001 12:08 PM 36 LESSON 1 Creating 2D Elements from Hexagons 2 Click the underlined In value for each layer, type a new value in the Layer In Time dialog box, and click OK to set In points that are staggered by exactly three frames per layer, as shown in the illustration below: In point values 3 Press Home to move the current-time marker to 0:00, and then press the spacebar or 0 (zero) on the numeric keypad to preview your animation. 4 When you finish viewing the preview, click the double-headed arrow button again to close the In/Out panel in the Timeline window, and then choose File > Save to save your work.
Psd because all ten layers use the same source file. The number to the left of the name identifies each layer according to its position in the layer stack (from top to bottom or front to back). • All layers have Rotation, Scale, and Position settings that are identical to the first layer. To verify this, select one or more layers and then press R, S, or P. Moving layers into a pattern The next step is to arrange the ten hexagons so that they form a precise honeycomb formation. You’ll place the layers in the order shown in the illustration below.
Frequently, you need to see only some of the transform properties—not all of them—and you aren’t interested in the Masks or Effects categories. Opening all these categories can be distracting and inconvenient because the list becomes so long you may need to scroll to find the property you want to see. The solution is to use a simple, single-key shortcuts to open a transform property, without opening the category levels or other properties. This keeps your Timeline window easier to use. These shortcuts are: A = Anchor Point P = Position S = Scale R = Rotation T = Opacity When you use a second shortcut, that transform property replaces the first one you opened, keeping the Timeline window trim and efficient.
Adobe After Effects 5.0 by Adobe Creative Team