By Anindita Ghosh
This ebook re-examines 'everyday resistance', gender and gear during the lens of women's reviews in colonial South Asia. relocating clear of proficient and awesome figures and drawing on a variety of unconventional sources, it finds a story of deep and enduring resistance provided by way of much less striking girls of their day-by-day lives.
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Extra info for Behind the Veil: Resistance, Women and the Everyday in Colonial South Asia
Reproductive rituals, even in contemporary India, reveal the knowledge and recommend the use 64 See JD, 1885, vol. 38, Comp. no. 764, MSA. Akku’s petition, 20 November 1890, JD, 1890, vol. 70, Comp. no. 174, MSA. , 1st edn. 1882, rpnt 1967), pp. 74–5.
44 The government allowed her to reclaim 16 of the weapons. However, not all appeals were answered satisfactorily in view of the tightening restrictions on the claims of aristocratic women, and quite a few petitions were rejected which related to subjects of inheritance and adoption. 45 A greater degree of success in asserting rights over property was achieved by women who came from less wealthy backgrounds than the landed aristocrats described earlier. An analysis of these women’s petitions over property disputes reveals a great variety of claims, ranging from suing for damages caused to their houses or belongings, reclaiming stridhan (women’s wealth), special appeals for the maintenance of agricultural land, and reclaiming goods stolen from their property.
My translation throughout, p. 1. PA D M A A N A G O L 31 including the recognition of rape within marriage, the need to embrace modernity and blend it with tradition—all these form the bulk of the play’s concerns. All the events take place in a kingdom, the location of which is revealed as a ‘place somewhere in Hindustan’, ruled by a king called Sadhu Singh, who drives out all women from his realm, forcing them to form their own parallel kingdom. An important theme in the play is that women do not turn the world upside down.
Behind the Veil: Resistance, Women and the Everyday in Colonial South Asia by Anindita Ghosh