By C. Schrock
Medieval writers comparable to Chaucer, Abelard, and Langland frequently overlaid own tale and sacred background to provide a different narrative shape. the 1st of its variety, this learn strains this regular narrative culture to Augustine's nice histories: Confessions and town of God .
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Extra resources for Consolation in Medieval Narrative: Augustinian Authority and Open Form
Neither he nor God in his presence produced a satisfactory conclusion. 25). 23, 27–8). 23) in that he and his mother could share this potent visionary experience at that time. 48 What they then thought they knew absolutely later changed shape in the context of an event they had not foreseen. Augustine’s description of his current self (book 10) portrays a man confident in his spiritual identity (grounded solidly in that past narrative) but not so confident in an achieved stasis of spiritual maturity.
At this vision, taking place in eternity, the meaning of time will be 16 C O N S O L A T I O N I N M E D I E VA L N A R R A T I V E finally assigned. Augustinian readers hope and orient themselves toward this currently inaccessible event, but cannot rely upon it for temporal meaning. Instead, they must orient temporal meaning toward a revelatory climax, God’s intervention, that to the Christian has already occurred in sacred and personal history. Continuing to exist after this intervention, the church and the Christian occupy a gap that always constitutes Augustine’s description of the present.
By the time Augustine got to Rom. 13–14, he knew very well how to convert, but in teaching him how, each of those conversions had done him only a preliminary, preparatory good. 25). His curiously patterned searches lead directly up to it as punctiliar climax: “At once, with the last words of this sentence, it was as if a light of relief from all anxiety f looded into my heart. 29). The fundamental alteration of his state affirms that this conversion—not the visions of books 7, 9, or 11–13—is the true functional climax of the Confessions narrative.
Consolation in Medieval Narrative: Augustinian Authority and Open Form by C. Schrock