By Chris Meyer
Trish and Chris Meyer proportion fifteen years of real-world movie and video creation event contained in the significantly acclaimed growing movement pix with After results. greater than a step by step evaluate of the good points in After results, you'll find out how this system thinks that you can notice your individual visions extra quick and successfully. This full-color ebook is jammed filled with tips, gotchas, and sage suggestion that can assist you live on no matter what your subsequent venture throws at you. growing movement photos 4th version has been seriously revised, reuniting the former volumes plus including certain insurance of recent gains brought in After results 7 and CS3 specialist to shape one tremendous, crucial reference. The enclosed DVD-ROM comprises resource photos and undertaking documents for the varied routines which support toughen every one proposal. The DVD additionally contains over one hundred eighty pages of extra info, together with long Bonus Chapters on Expressions and Effects.Authored in CS3, additionally integrated is entry to a unfastened internet bankruptcy written for CS4. * loose CS4 internet bankruptcy integrated with the e-book* studying animation by utilizing keyframes, movement paths, and the Graph Editor* mixing imagery utilizing alpha channels, mask, mattes, modes, and stencils* construction teams and hierarchies via parenting and nested comps* prolonged insurance of sort animation, paint instruments and 3D area* complex topics corresponding to keying, movement monitoring, expressions, and video concerns* comprises over a hundred and eighty PDF pages of bonus content material at the DVD* vast assurance of the recent CS3 beneficial properties together with the form and Puppet instruments, Brainstorm, per-character 3D textual content, colour administration, and extra!
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Additional resources for Creating Motion Graphics with After Effects, Fourth Edition: Essential and Advanced Techniques
Select the Comp panel and press: Command+Option+Shift+N (Control+Alt+Shift+N) This splits the frame containing the active viewer and creates a new viewer on the right that is locked. Selecting a different tab in the Timeline panel will load that comp into the left viewer. You can also use the left viewer for the Layer or Footage panels. The “split frame” shortcut creates two comp viewers side by side, with the right viewer locked (circled above). This is particularly handy when working with nested comps.
Also, avoid wasting time by having After Effects calculate every pixel (Full Resolution) when the zoom level dictates they will not all be displayed. Reduced resolution is a great way to work more quickly with larger frame sizes such as film or hi-definition. Screen updates and previews occur much faster, and most effects properly scale to look more or less the same at reduced resolution (although you should occasionally go back to Full Resolution and 100% Magnification as a confidence check). Another reason to reduce the Resolution setting is to free up more RAM for previewing.
The Timeline panel allows you to decide what portion of time it is displaying. This becomes more important when we start animating in future chapters: You may need to zoom in to look at the detail of a set of rapid-fire keyframes, or zoom out and get an overview of how a project flows. There are a couple of graphical ways to zoom around this panel. One is click on the “mountain” buttons at the bottom of the Timeline panel to zoom in or out. As you drag the pointer between them, the degree of zoom updates in real time, centering the visible portion of time on the current time represented by the time indicator.
Creating Motion Graphics with After Effects, Fourth Edition: Essential and Advanced Techniques by Chris Meyer